“Sometimes a book drops through the letter box that turns out to be just the one you never knew you needed. Taylor Mignon’s Visual Poetry of Japan: 1684–2023 is, it turns out, just such a book.”

Literary journalist

Visual Poetry of Japan: 1684–2023 collects a multitude of Japanese poetic, aesthetic and visual expressive forms into an overview of works spanning more than 300 years. From visual translations of Bashō to Taishō-era textual manipulation of characters, to Yamamoto Kansuke’s lexical verse and surreal photography to John Solt’s postcard art, this curated set of haiku, calligrams, collages, concrete poems, and other works offers extraordinary visions to the eye, mind and heart.

  • Asemic Writing
  • Calligrams
  • Calligraphy
  • Collages
  • Concrete Poems
  • Haiku
  • Japanese Translations
  • Lexical Poems
  • Mail Art
  • Photography
  • Visual Poems

English, 108 pages, color. Edited by Taylor Mignon. Coedited & Designed by Rick Elizaga. Introduction by Andrew Campana.

Taylor Mignon’s previous books include VOU: Visual Poetry Tokio, 1958-1978 (Isobar Press, 2021) and Bearded Cones & Pleasure Blades: The Collected Poems of Torii Shōzō (highmoonoon, 2013).

“Visual-poetry combines
visual art and
poetic sensibility by
manipulating
images and letterforms.”

Writer, editor and professor emeritus at the University of Windsor, Ontario

“…these works do something I see as the most valuable thing poetry can do: they invite you to make poems of your own. It’s impossible to read through these and not be inspired with ideas for creating visual poems. They also seem to linger with you and reshape your experience of the world; soon enough, you start to see visual poetry everywhere.”

Andrew Campana

Assistant Professor of Japanese Literature, Cornell University