“Sometimes a book drops through the letter box that turns out to be just the one you never knew you needed. Taylor Mignon’s Visual Poetry of Japan: 1684–2023 is, it turns out, just such a book.”
Billy Mills
Literary journalist

Front cover: The Buddhist monk Kūya in a late Kamakura period sculpture by Kōshō, reproduced by Isumu (Morita, Inc.) and photographed by Nakamura Shigeru (2014), with image manipulation by Shikama Hiroko and Rick Elizaga.
Updates

The Shape of the Poem, review by Steven Ridgely in Kyoto Journal 108: Fluidity 2
- Poesibao: “Visual Poetry of Japan 1684 – 2023”, lu par Julien Bielka
- 8 Questions with Taylor Mignon at White Enso
- Linda Gould’s commentary at White Enso
- Review by Billy Mills at Elliptical Movements
- Review by Simon Collings at Tears in the Fence
- Order online at your choice of outlets.
Visual Poetry of Japan: 1684–2023 collects a multitude of Japanese poetic, aesthetic and visual expressive forms into an overview of works spanning more than 300 years. From visual translations of Bashō to Taishō-era textual manipulation of characters, to Yamamoto Kansuke’s lexical verse and surreal photography to John Solt’s postcard art, this curated set of haiku, calligrams, collages, concrete poems, and other works offers extraordinary visions to the eye, mind and heart.
- Asemic Writing
- Calligrams
- Calligraphy
- Collages
- Concrete Poems
- Haiku
- Japanese Translations
- Lexical Poems
- Mail Art
- Photography
- Visual Poems
English, 108 pages, color, available in paperback and hardcover. Edited by Taylor Mignon. Coedited & Designed by Rick Elizaga. Introduction by Andrew Campana.
Taylor Mignon’s previous books include VOU: Visual Poetry Tokio, 1958-1978 (Isobar Press, 2021) and Bearded Cones & Pleasure Blades: The Collected Poems of Torii Shōzō (highmoonoon, 2013).
“Visual-poetry combines
visual art and
poetic sensibility by
manipulating
images and letterforms.”
Karl Jirgens
Writer, editor and professor emeritus at the University of Windsor, Ontario
background image: detail of “AI-Generated 3D poetry,” by Adachi Tomomi, 2023
Book Launch
Photos of the launch event at Morgan Salon, Tokyo on Dec. 16, 2023





Watch videos of the book launch performances and more.
Inside the Book
Some of the 110 color pages of Visual Poetry of Japan: 1684–2023









“…these works do something I see as the most valuable thing poetry can do: they invite you to make poems of your own. It’s impossible to read through these and not be inspired with ideas for creating visual poems. They also seem to linger with you and reshape your experience of the world; soon enough, you start to see visual poetry everywhere.”
Andrew Campana
Assistant Professor of Japanese Literature, Cornell University
background image: detail of “Ensemble,” by Renkichi Hirato, 1921
Contact Taylor Mignon